Introducing Entangled Instruments Poster

HCI-International 2023, Copenhagen.


[1] N Bryan-Kinns, R Fencott, O Metatla, and S Nabavian. 2010. Interactional Sound and Music: Listening to CSCW, Sonification, and Sound Art. (2010), 4.

[2] Gil Weinberg. 2005. Interconnected Musical Networks: Toward a Theoretical Framework. Computer Music Journal 29, 2 (June 2005), 23–39. DOI:

[3] Karen Michelle Barad. 2007. Meeting the universe halfway: quantum physics and the entanglement of matter and meaning. Duke University Press, Durham.

[4] Christopher Frauenberger. 2019. Entanglement HCI The Next Wave? ACM Trans. Comput.-Hum. Interact. 27, 1 (November 2019), 2:1-2:27. DOI:

[5]Hanne De Jaegher and Ezequiel Di Paolo. 2007. Participatory sense-making: An enactive approach to social cognition. Phenom Cogn Sci 6, 4 (December 2007), 485–507. DOI:

[6] Nicola Yuill. 2021. Technology to Support Children’s Collaborative Interactions: Close Encounters of the Shared Kind. Springer International Publishing, Cham. DOI:

[7] Steve Symons. 2022. Entangled instruments: exploring participatory digital music making environments. In NIME 2022, PubPub, The University of Auckland, New Zealand. DOI:

[8] John Bowers. 2001. TONETABLE: A Multi-User, Mixed-Media, Interactive Installation. (2001).

[9] Sidney Fels and Florian Vogt. 2002. Tooka: Explorations of Two Person Instruments. (June 2002).

[10] Nick Bryan-Kinns, Patrick GT Healey, and Joe Leach. 2007. Exploring mutual engagement in creative collaborations. In Proceedings of the 6th ACM SIGCHI conference on Creativity & cognition, ACM, 223–232.

[11] G. Weinberg. Interconnected Musical Networks: Toward a Theoretical Framework. Computer Music Journal, 29(2):23–39, June 2005.